Fleda thought again. "Then, even in the event of her mother's not having got home till the morning, you would have had your letter at the latest to-day. You see she has had plenty of time." "What of that?" asked Fleda.!

"Because if he does come to me he must come to me there. If that telegram goes," said Fleda, "I return to Maggie's to-night." "Oh yes, a lot of things. But you wouldn't know the place, all the same." He looked about the room with his discolored, swindled face, which deepened Fleda's compassion for him, conjuring away any smile at so candid an image of the dupe. "You'd know this one soon enough, wouldn't you? These are just the things she ought to have left. Is the whole house full of them?"

"I could give up everything without a pang, I think, to a person I could trust, I could respect." The girl heard her voice tremble under the effort to show nothing but what she wanted to show, and felt the sincerity of her implication that the piety most real to her was to be on one's knees before one's high standard. "The best things here, as you know, are the things your father and I collected, things all that we worked for and waited for and suffered for. Yes," cried Mrs. Gereth, with a fine freedom of fancy, "there are things in the house that we almost starved for! They were our religion, they were our life, they were us! And now they're only me—except that they're also you, thank God, a little, you dear!" she continued, suddenly inflicting on Fleda a kiss apparently intended to knock her into position. "There isn't one of them I don't know and love—yes, as one remembers and cherishes the happiest moments of one's life. Blindfold, in the dark, with the brush of a finger, I could tell one from another. They're living things to me; they know me, they return the touch of my hand. But I could let them all go, since I have to, so strangely, to another affection, another conscience. There's a care they want, there's a sympathy that draws out their beauty. Rather than make them over to a woman ignorant and vulgar, I think I'd deface them with my own hands. Can't you see me, Fleda, and wouldn't you do it yourself?"—she appealed to her companion with glittering eyes. "I couldn't bear the thought of such a woman here—I couldn't. I don't know what she'd do; she'd be sure to invent some deviltry, if it should be only to bring in her own little belongings and horrors. The world is full of cheap gimcracks, in this awful age, and they're thrust in at one at every turn. They'd be thrust in here, on top of my treasures, my own. Who would save them for me—I ask you who would?" and she turned again to Fleda with a dry, strained smile. Her handsome, high-nosed, excited face might have been that of Don Quixote tilting at a windmill. Drawn into the eddy of this outpouring, the girl, scared and embarrassed, laughed off her exposure; but only to feel herself more passionately caught up and, as it seemed to her, thrust down the fine open mouth (it showed such perfect teeth) with which poor Owen's slow cerebration gaped. "You would, of course—only you, in all the world, because you know, you feel, as I do myself, what's good and true and pure." No severity of the moral law could have taken a higher tone in this implication of the young lady who had not the only virtue Mrs. Gereth actively esteemed. "You would replace me, you would watch over them, you would keep the place right," she austerely pursued, "and with you here—yes, with you, I believe I might rest, at last, in my grave!" She threw herself on Fleda's neck, and before Fleda, horribly shamed, could shake her off, had burst into tears which couldn't have been explained, but which might perhaps have been understood. "Why, Mona's much worse than her mother. She wants much more to give me up." These arts, when Mrs. Gereth's spirits were high, were handled with a brave and cynical humor with which Fleda's fancy could keep no step: they left our young lady wondering what on earth her companion wanted her to do. "I want you to cut in!"—that was Mrs. Gereth's familiar and comprehensive phrase for the course she prescribed. She challenged again and again Fleda's picture, as she called it (though the sketch was too slight to deserve the name), of the indifference to which a prior attachment had committed the proprietor of Poynton. "Do you mean to say that, Mona or no Mona, he could see you that way, day after day, and not have the ordinary feelings of a man?" This was the sort of interrogation to which Fleda was fitfully and irrelevantly treated. She had grown almost used to the refrain. "Do you mean to say that when, the other day, one had quite made you over to him, the great gawk, and he was, on this very spot, utterly alone with you—?" The poor girl at this point never left any doubt of what she meant to say, but Mrs. Gereth could be trusted to break out in another place and at another time. At last Fleda wrote to her father that he must take her in for a while; and when, to her companion's delight, she returned to London, that lady went with her to the station and wafted her on her way. "The Morning Post" had been delivered as they left the house, and Mrs. Gereth had brought it with her for the traveler, who never spent a penny on a newspaper. On the platform, however, when this young person was ticketed, labeled, and seated, she opened it at the window of the carriage, exclaiming as usual, after looking into it a moment: "Nothing—nothing—nothing: don't tell me!" Every day that there was nothing was a nail in the coffin of the marriage. An instant later the train was off, but, moving quickly beside it, while Fleda leaned inscrutably forth, Mrs. Gereth grasped her friend's hand and looked up with wonderful eyes. "Only let yourself go, darling—only let yourself go!"